Sylvia’s inherent appreciation for beauty as both artist and consumer is evident in her journals and letters…….she wrote beautifully about clothes. She wrote about them with irony and wit mixed in with all the rococo prettiness.

Elizabeth Winder
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  2. She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people... - F. Scott Fitzgerald

  3. Do I love you because you're beautiful, or are you beautiful because I love you? - Richard Rodgers

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  5. Looking at him now-even if she hadn't been in love with him, that part of her that was her mother's daugher, that loved every beautiful thing for its beauty alone, would still have wanted him. - Cassandra Clare

More Quotes By Elizabeth Winder
  1. For years I wondered what was her curious power, her ability to attract all kinds of people to her and to use them for her own ends, often with their knowledge. i think it was that people liked watching and being with someone who enjoyed...

  2. Sylvia possessed a deeply conditioned respect for authority. She wanted desperately to live up to the expectations of a society that viewed her as a bright, charming, enormously talented disciple of bourgeois conformity. On the other hand, she ached to experience life in all its...

  3. Sylvia quotes Dick as telling her: "I am afraid the demands of wifehood and motherhood would preoccupy you too much to allow you to do the painting and writing you want." Dick was sharp enough to understand that the bright flame that drew him to...

  4. When I was doing the Mademoiselle application my husband would peer over my shoulder and say, "What are you doing competing with the best brains in the country? Why don't you just wash the dishes?" When the telegram came from Mademoiselle, I ran outside and...

  5. The very act of accepting her position at Mademoiselle was an act of open defiance against Dick Norton, his entire family, and the gendered expectations of midcentury America.

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